Songs of the Unsung: The Musical and Social Journey of Horace Tapscott
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Archived from the original on Retrieved In Deane L. Root ed. Grove Music Online. Oxford Music Online. Oxford University Press. The Freedom Principle. Da Capo. Online Archive of California. This website is a mirror of Wikipedia, and is not affiliated with the Wikimedia Foundation. Author: Horace Tapscott. Editor: Steven L. Contributor s : Steven L.
Isoardi , William Marshall. This is an important sociological document, for it tells the life of Horace Tapscott, one of the most unique figures in the jazz of Black Los Angeles.
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What is most unique about Songs of the Unsung is that it reveals a man who not only lived jazz, but contributed to it in meaningful ways, and was a walking masterpiece of the personal philosophy he advocated. He lived to teach, help others, perform, create. Horace Tapscott succeeded at each. Songs of the Unsung lets the reader see how he did it.
Songs of the Unsung is excellent reading. This book entertains and enlightens at the same time, and is a fine reading experience! With a nontechnical narrative that flows like a novel, this memoir constitutes an appealing and informative document of musical and social history for readers at all levels. Franklin, Choice. This highly advanced theme emerges from a detailed life history that is nothing short of stunning.
Songs of the Unsung is an important statement in the philosophy of improvised music.
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Tapscott, a thoughtful man and a fine storyteller, has a tale more interesting than the usual fare, and along the way he touches on numerous tales of racism, the merger of the black and white union locals in Los Angeles, reflections on the studio scene and drugs, the various travails of the black community in LA, and many of his musical and educational endeavors over the years, both in and out of the Arkestra.
Anyone interested in the plights of the modern jazz performer, and of course jazz in LA, will find this book of great interest. We need more books like Songs of the Unsung , by which we can come to understand creative musicians as agents of change at home, effecting local pockets of activity with universal ramifications. For Tapscott provides us with an unwritten truth behind this radically unfinished music called jazz.
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Horace Tapscott was one of the first guys doing it in the community. His life has been a big influence on me. He made sure younger and older people played music. He is one of the true giants of this music in the way he played it, wrote it, and lived it.
I got something I needed when I was on the radio. While I was being interviewed, the telephone rang. It was a woman calling from almost her deathbed in the hospital to tell me that my music had helped to heal her, someone with a real soft voice, sobbing as she spoke, like she had been under some kind of dark cloth, saying that finally some light came in because of the sounds.
But what she said to me justified everything that I believed in. When things like that happen, those little small things, well, that was the idea of the sounds in the first place. Tapscott has an important story to tell and he conveys his experiences, opinions, and philosophy clearly through an engaging and conversational style filled with rich descriptions and witty observations.
http://webdisk.openpress.alaska.edu/27742.php Horace Tapscott —a pianist, trombonist, and composer whose unique approach to avant-garde jazz earned him legendary status—was also a leader and organizer who dedicated himself for many years to raising his community through the arts. Steven L. Sign In. Search Cart. Search for:.
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Isoardi Contributor s : Steven L.